The Ideology of the Aesthetic presents a history and critique of the concept of the aesthetic throughout modern Western thought. As such, this is a critical survey of modern Western philosophy, focusing in particular on the complex relations between aesthetics, ethics and politics. Eagleton provides a brilliant and challenging introduction to these concerns, as characterized in...(展开全部)

The Ideology of the Aesthetic presents a history and critique of the concept of the aesthetic throughout modern Western thought. As such, this is a critical survey of modern Western philosophy, focusing in particular on the complex relations between aesthetics, ethics and politics. Eagleton provides a brilliant and challenging introduction to these concerns, as characterized in...(展开全部)

This spectacularly illustrated book is a comprehensive exploration of astronomy through the eyes of the world's observatories and spacecraft missions. Featuring the latest and most stunning images, it provides a magnificent portrayal of the beauty of the cosmos. The accompanying text is an accessible guide to the science behind the wonders, with clear explanations of all the ma...(展开全部)

This spectacularly illustrated book is a comprehensive exploration of astronomy through the eyes of the world's observatories and spacecraft missions. Featuring the latest and most stunning images, it provides a magnificent portrayal of the beauty of the cosmos. The accompanying text is an accessible guide to the science behind the wonders, with clear explanations of all the ma...(展开全部)

A classic of 18th-century thought, Schiller's treatise on the role of art in society ranks among German philosophy's most profound works. An important contribution to the history of ideas, it employs a political analysis of contemporary society -- and of the French Revolution, in particular -- to define the relationship between beauty and art.

A classic of 18th-century thought, Schiller's treatise on the role of art in society ranks among German philosophy's most profound works. An important contribution to the history of ideas, it employs a political analysis of contemporary society -- and of the French Revolution, in particular -- to define the relationship between beauty and art.

What is the nature of the fundamental relation we have to ourselves that makes each of us a self? To answer this question, Charles Larmore develops a systematic theory of the self, challenging the widespread view that the self's defining relation to itself is to have an immediate knowledge of its own thoughts. On the contrary, Larmore maintains, our essential relation to oursel...(展开全部)

杜夫海纳（Mikel Dufrenne,1910—1995） 法国美学家，现象学美学的主要代表之一。毕业于巴黎高等师范学校，曾任普瓦提埃、巴黎等大学教授。后为法国《美学评论》杂志社社长。主要著作有《审美经验现象学》（1953）、《诗学》（1963）、《为了人类》（1968）、《美学与哲学》（2卷，1967—1976）等。

The Nature of Aesthetic Value proposes that aesthetic goodness, the property in virtue of which works of art are valuable, is a matter of their capacity in appropriate circumstances to give satisfaction. It inquires into the nature of this satisfaction, arguing that it consists of the extension and clarification of consciousness. This provides a basis for treatment of the ancie...(展开全部)